RAJASTHAN TOURISM Places to See Ajanta

Ajanta

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Ajanta Caves, Way back in1819, a party of British army officers on a tiger hunt in the forest of western Deccan, suddenly spotted their prey, on the far side of a loop in the Waghora river. High up on the horseshoe- shaped cliff, the hunting party saw the tiger, silhouetted against the carved faade of a cave.


History

This is one of the finest monasteries at Ajanta. Graciously posed Bodhisattvas with elaborate headdresses flank the antechamber doorway. On its either side are two of the best-known murals Bodhisattva Padmapani and Bodhisattva Vajrapani holding a thunderbolt (right) accompanied by attendants, divine musicians and flying figures.

The left wall of the antechamber depicts the assault and temptation by Mara, the god of passion, and on the right wall is the dark princess being offered lotuses by a lady. In the shrine, the Buddha is seen in the teaching position. Under his throne appears the Wheel of Life. The left wall of the hall shows scenes from the Mahajanaka Jataka. To the right of the rear wall are episodes from the Champeyya Jataka.

Some of the best places to visit when you are in the city are:


Places to See

Ajanta Finished Caves

Cave 1: This is one of the finest monasteries at Ajanta. Graciously posed Bodhisattvas with elaborate headdresses flank the antechamber doorway. On its either side are two of the best-known murals Bodhisattva Padmapani and Bodhisattva Vajrapani holding a thunderbolt (right) accompanied by attendants, divine musicians and flying figures.

The left wall of the antechamber depicts the assault and temptation by Mara, the god of passion, and on the right wall is the dark princess being offered lotuses by a lady. In the shrine, the Buddha is seen in the teaching position. Under his throne appears the Wheel of Life. The left wall of the hall shows scenes from the Mahajanaka Jataka. To the right of the rear wall are episodes from the Champeyya Jataka.

Cave 2: It is remarkable for the painted ceiling with large medallions, delicate bands of lotus flowers, scrollwork and abstract geometric patterns. Episodes connected with the birth of the Buddha such as the dream of his mother Maya, its interpretation by the priests and the birth of Gautama occupy the left wall. Next of this is a representation of the Miracle of Shravasti when the Buddha manifested himself in thousand forms.

Cave 4: Planned on a grandiose scale, but never completed, this is the largest monastery at Ajanta. It has a central doorway embellished with guardians, flying figures, maidens clutching trees and also images of the Buddha and Ganas, or dwarfs, with garlands. Six gigantic standing figures of the Buddha are carved in the walls of the antechamber.